I approached Man of Steel with a lot of scepticism; indeed my followers on
Twitter and members of the movie group I belong to on Facebook (The Movie
Smackdown) suffered my cynicism first hand. I harped on the fact that the
critics had scored it low and based on the previews I had seen I claimed that Man of Steel borrowed plot lines from
every superhero flick out there and that the CGI was painful to look at. I eventually
saw Man of Steel after several
postponements and my verdict is that it is actually a very good film!
Maybe it was the marketing overhype
that we all had to endure for a full year before the film hit the big screen
that annoyed me; and perhaps a certain mistrust of the franchise that gave us the
sad Superman Returns (2006) that
fuelled my suspicions; but deep deep down inside I knew that a team that
included Christopher Nolan, Zack Snyder and David S. Goyer could not go wrong.
Man of Steel works as a reboot of the Superman film franchise. The
plot immediately brings comparisons with the first two Superman films – Richard
Donner’s subliminal Superman (1978) and
Superman II (1980) – with the former
an origin story and the latter dealing with Earth’s invasion by the insane
Kryptonian General Zod and two others. Perhaps it is the benchmark set by these
two earlier films and also superhero film fatigue that have stymied its Box
Office figures, otherwise Man of Steel
ought to reach the billion dollar mark.
Man of Steel was very visually appealing. Although I had earlier
criticised the CGI and the supersonic, blurry and darting movements of the
Kryptonians as they did battle (reminiscent of the character Dante in Capcom’s Devil May Cry) I have to admit that it
lends some realism to the powers that they had. The destruction of Metropolis
was on full kilter! It was epic!!! I mean no other superhero film (save 2008’s Hancock) provides destruction at this
scale. Yes, this is what you expect to see when two super-humanoids go
toe-to-toe. Man of Steel does not
hold back and this is very satisfying to see on the big screen, finally a film depiction
that is a worthy treatment of the destruction we see in the comics! Satisfying
indeed.
The story is told at a good pace,
and although the use of flashbacks was probably the best option it sometimes interrupted
the flow and the build up of the film.
Thanks to the writers and the
director, and great acting by Henry Cavill (The Count of Monte Cristo, Immortals) as Clark Kent/Kal-El/Superman, we
get to see the internal emotional conflict that he endures. Clark’s difference
from the rest of us as he struggles with an identity crisis to define who he
is, while keeping his abilities secret are brought to the fore. His level of self
control is aptly alien as I finally understand why Superman with all his powers
still prefers to remain the goody boy scout that he is (also without the
goofiness that is supposed to be Clark Kent that we saw in the Christopher
Reeves’ films). In addition, in this case, it is his Earthly father, Jonathan Kent
(Kevin Costner) out of love for him who instils in him a sense of belonging and
self preservation at the cost of his own life. Here I find that Jor-El’s role
in the first Superman film has been switched with Jonathan Kent’s, who for
different reasons would prefer Clark not to interfere with the human race but
fly under the radar. I watched with great shock and morbid satisfaction as Clark
Kent finally killed someone so deserving as against locking them up or
banishing them someplace as the one in the comics always lamely does. At the
point he snaps Zod’s neck you can see the emotions that Clark is going through
as he has to take a life to save a billion others, to take a fellow Kryptonian’s
life in order to save his adopted humankind. No words can describe that. In the
end you find that Clark Kent is more human than he is Kryptonian, more Clark
Kent than he is Kal-El or even Superman. He is American through and through, born and raised in Smallville, Kansas.
I looked forward to seeing
Michael Shannon (Bad Boys II, Revolutionary Road, Machine Gun Preacher, Boardwalk Empire) as General Zod. For me he was the main attraction. His performance
was generally above average, with scenes where we could see glimmers of his
madness. But it is my thinking that the filmmakers wanted a less psychotic
General Zod, a more intelligent and 3-dimesional one. I was in no way
disappointed, all that was lacking was the epic, “Kneel before Zod!!!” But hey,
no one could have said that better than Terence Stamp, so why try eh?
Amy Adams as Lois Lane was
average. She is the tamest of all the Lois Lane portrayals I have seen. If this
was deliberate by the filmmakers, they succeeded. Her connection with
Clark/Superman is quite visible and the chemistry holds promise, for she seems
to be the first woman that Clark can be with, and perhaps because of the circumstances
of their meeting it is the first time he tries.
It was great seeing Christopher
Meloni (Law & Order: SVU) on the
big screen as Colonel Nathan Hardy and his awesome acting ability showed. More films
for him please. Kevin Costner was great as usual and for me his role was
pivotal to the understanding of whom Clark Kent was. Diane Lane as Martha Kent
was very effective and gave us a more attractive version of Mother Kent. The lovely
Israeli actress, Ayelet Zurer’s (Munich,
Vantage Point, Angels & Demons) performance as Lara Lor-Van leaves a distinct
impression, while German Antje Traue (Pandorum,
5 Days of War) as Faora is a delight
to watch. Russell Crowe as Jor-El was great, deep, intelligent and empathic –a welcome
departure from the godlike Marlon Brando portrayal.
In conclusion, of immense
interest to me were the parallels the filmmakers drew between Clark Kent and
Jesus Christ. If I had never noticed it before Man of Steel certainly drew my attention to this. Both are not of
this world and are sent from the heavens to save the world. Like Jesus, Clark was adopted by an earthly
father only to connect with his non-physical father later. Both wandered
through the wilderness in a quest to discover who they were and to prepare them
for the task ahead. Both were in their 30s when they began their work. At age
33, Clark gave himself up to human authority even though he was above this
authority, just like Jesus gave himself up to the Pharisees. The US military handed
Clark over to Zod just as the Pharisees handed over Jesus to the Romans. Indeed,
one can go on and on but at the end of the day one thing is clear: according to
Chris Nolan, David S. Goyer and Zack Snyder, and perhaps creators Jerry Siegel
and Joe Shuster, Superman the Man of Steel is the Saviour of the World.
PS: As of 1 July 2013, Man of Steel has grossed over $520mm worldwide in just 17 days since its release.
