On Wednesday, July 25, 2012 I got
an invite to the Genesis Deluxe Cinemas’ premiere of probably the year’s most
anticipated movie, The Dark Knight Rises,
the concluding installment of director and writer Chris Nolan’s three part
Batman series. The hype and anticipation was unprecedented, probably only
matched by movies like Terminator 2:
Judgement Day and (perhaps the only other comic universe franchise to match
DC) Marvel’s The Avengers. The latter
had broken records to become the third highest grossing movie of all time in
just about eight weeks, earning $260m in its opening weekend in April 2012. I
was among the very few people who believed that The Dark Knight Rises would beat The Avenger’s record.
And why did I believe that it
would? Simply because Chris Nolan is a FANTASTIC director and writer. Indeed, The Dark Knight smashed records when it
was released in 2008. It earned more than a billion dollars worldwide upon its
release in 2008. Many would attribute this to Heath Ledger’s epic portrayal of The Joker based on Nolan’s
interpretation of Batman’s most villainous villain. Others (myself included)
would attribute it to the psychological study that was The Dark Knight. Nolan took Batman from comic book icon to a study
in humanity, the battle between good and evil, and the grey areas in between.
2011’s Inception was a case study in
film making. Nolan brought bits of what made his sophomore film Momento (2000) to bear in the critically
acclaimed Inception. So little wonder
The Dark Knight Rises was billed to
rise and rise and rise. But somewhere along its intended ascent the two hours
plus movie lost its wind.
First and foremost The Dark Knight Rises seemed like a lazy
effort. The editing was abysmal. The scripting and plot scenes were like a
series of quickies that did not get to the climax. The holes in the plot and
storyline were so gaping and the material just did not hold water. I was left
to assume so many things: How come Blake could so very easily figure out that
Batman was actually Bruce Wayne? How did Bane figure out Batman was Bruce
Wayne? How come after eight loooooong years, the city was still mourning White
Knight Harvey Dent? I thought Lucius Fox left at the end of The Dark Knight? If he did not, why did
he change his mind? How did the 3,000 plus Gotham City policemen survive three
months underground? How come Alfred left? No, seriously why did he abandon
Bruce? Where was the prison dungeon located? How come Bane could come and go as
he pleased? Thought it was supposed to be somewhere not mainland USA? Bane
broke Batman’s back (I actually cheered at that scene because it stayed true to
the comics!) But come on! One does not recover from a broken back in a prison dungeon
overnight!!!! The time-wasting speech and by-force kiss at the climactic scene
when time was running out was cringe worthy! A nuke is about to go off in two
minutes and you still have time for catharsis and a smooch? Like seriously?!! At
the very best the script was overly simplistic.
The acting was not any better
really. Joseph Gordon-Levitt had a good performance as the incorruptible cop
John Blake. So did Gary Oldman and Marion Cotillard. Michael Cain was poor to
say the least while Morgan Freeman and Christian Bale both seemed bored. And
Bane’s voice! I had to strain my ears and mostly got someone else to tell me
what he said!! It is bad enough we have to strain to catch what Batman (Bale)
says due to his hoarse lisp but Bane’s Darth Vader-like voice was just
inaudible!! The final fight scene was bleh! I know Chris Bale is not the
biggest person or known for his fighting skills, but it was stiff (maybe it was
the suit)! Bats is a bad ass martial artist schooled in the shadow arts! Most
of us were also hoping that Tom Hardy who played Bane would bring some of his “bad
assness” from The Warrior to bear on The Dark Knight Rises but alas that was
not seen. The fighting should have been better choreographed.
On the positives, I loved the
Talia al Ghul twist! It made sense. But the lovey dovey between Bruce and Miranda
Tate her alter ego was not convincing enough. The twist at the end – Blake
donning the role of Batman, Bruce Wayne (still recognisable!) turning up alive
in Paris with Selina – reminiscent of Inception
was almost cheesy but very welcome. It gave the film its final and much
needed airlift. I mean no one, no matter the speculations, wanted to see Batman
killed. We are glad Nolan kept him alive. If he had not, I daresay The Dark Knight Rises would have been
deemed a bad movie.
I would be the first to admit
that I was looking forward to identifying themes in The Dark Knight Rises. I found a few.
Nolan by bringing thematic
elements of Batman Begins together
with those from The Dark Knight
stresses that Bruce Wayne cannot exist without Batman simply because he is
first Batman before he is Bruce Wayne!! This was an epiphany for me because it
was comforting to realise what I had long suspected: that like Superman whose
alter ego is Clark Kent, Batman’s alter ego is Bruce Wayne! His life is the
cowl! Bruce Wayne’s deterioration in spirit and body after the Batman
disappears is evidence of this. In furtherance of the Dark Knight mythos, Nolan
again confirms that Batman’s first and only love is the city of Gotham. Batman exists
because Gotham exists; when threatened Batman defends her. Simple.
In the end, The Dark Knight Rises successfully brings to an end the Batman
trilogy. However, deep inside I got the general feeling that Nolan and his team
just wanted to get this trilogy over and done with really.
NB: As of July 29, 2012 (i.e. in
10 days) The Dark Knight Rises has made $537m worldwide at the Box Office.